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Jan Hillebrand Wijsmuller (13 February 1855 in Amsterdam – 23 May 1925 in Amsterdam) was a Dutch painter. He belongs to ''The 2. Golden Age of Dutch Painting''.〔The art history knows two periods of netherlandish painting. The are two names, first at all Rembrand van Rijn und in the 19th century the Hague School and its view of impressionism.〕 He is an impressionist of the School of Allebé, bettern knows as Amsterdam Impressionism, part of the international movement of the Impressionism.〔This international movement of the impressionism lasted from 1860-1920.〕〔The impressionism of the Netherlands has his own charakter.〕 From the art historical point he is one of the 2nd generation of the Hague School. He used the bright color palette of the French Impressionists, too - but from the perspective of a Dutchman. ==Life and work== From 1876 on Jan Hillebrand Wijsmuller began studying at the Royal Academy of Fine Arts in Amsterdam - better known as Rijksacademie. He had been one of the 179 students of Prof. Allebé - it was well known, that his lessons were based on the current flow of time. 1877 followed his wandering years. They led him to the Akademie van beeldende Kunsten — Den Haag,〔See also Scheen, 1981〕 the famous Académie royale des Beaux-Arts de Bruxelles and the Hague School in its heyday.〔G.H. Marius: ''Dutch Art in the XIX Century.'' London 1908〕 – The latter brought forth so famous masters such as Johannes Bosboom, Paul Gabriël, the brothers Jacob Maris and Matthijs Maris, Anton Mauve and Jan Hendrik Weissenbruch. Here, Vincent van Gogh found his way into painting.〔G. Knuttel Wzn: ''De Nederlandsche schilderkunst van Van Eyck tot Van Gogh''. Amsterdam 1938〕 He won the Willink van Collenprijs for young artists by which he had been supported. This is awarded annually by the Amsterdam Academy Arti et Amicitiae. In 1883 he had won this award. The name of his work is no longer known. With own studio he has settled in Amsterdam. His friends included the well known artists Ernst Witkamp, Nicolaas van der Waay and Carel Dake. He belongs to the second generation of the Hague School.〔J.H. Kraan: ''Holland in zwang'', in: De Haagse School, Ausst. Paris/London/Den Haag, 1983, S. 115-124. G. Reichwein: ''Vreemde gasten, kunstschilders in Volendam 1880-1914'', Enkhuizen, Zuiderzee-museum, 1986.〕〔R. Zeitler: ''Die Kunst des 19. Jahrhunderts''. Berlin 1966 (Propyläen Kunstgeschichte, Bd. 3).〕 But he was an representative of the Amsterdam Impressionism, better known as School of Allebé, too. In his creative works the former life of agile, thriving metropolis Amsterdam was immortalized. Opposite pole are landscape portraits. They include scenes canals, windmills and polder landscape with day’s work of fisherman. His repertoire is completed by the classic Dutch theme - the continuation of the tradition of the coastal landscape of the North Sea. He also made portraits of the people of The Hague and surroundings. He was a representative of the realism and the plein air painting. In his paintings he combines the influences of the first period of the Hague School, the Barbizon School〔''De school von Barbizon''. ''Franse meesters van de 19de eeuw'', Ausst. Museum voor Schone Kunsten, Gent/Haags Gemeentemuseum, Den Haag/Institut Néerlandais, Paris, 1985/86; Hans Kraan und John Sillevis, in: ''The Barbizon School, Dutch collections'', Ausst. National Museum of Arts, Osaka 1987.〕 and the Impressionists.〔Jean-Jacques Lévêque, ''Les annèes impressionnistes 1870-1889'', in: ACR Édition Internationale, Courbevoie (Paris), 1990.〕 In his paintings he cleverly uses its own visual language for the spatial extent and depth. His paintings live by the harmonious play of colors, sky, clouds, water and landscape. The lighting is living though the material interactions typical of the Netherlands seasons and climate. From an art historical point of view he belongs to the Hague School, the School of Allebé, the Oosterbeek School, the Kortenhoef School and the Katwijk School. It must be seen as a Dutch art movement of that time of impressionism. His works are characterized by their unique craft skills. His expressions were sketches on paper, and oil on wood and canvas. He is buried at Zorgvlied cemetery. ==Exhibition== * 1903 Stedelijke internationale tentoonstelling van kunstwerken van levende meesters, Stedelijk Museum, Amsterdam. * 1905 Collection of ''Arti et amicitiae'' and ''Pulchri Studio'' at ''Kunstverein in Hamburg''〔http://www.kunstverein.de/ Exhibitions at ''Kunstverein in Hamburg from 1858 to 2010''〕 * 1907 Stedelijke internationale tentoonstelling van kunstwerken van levende meesters, Stedelijk Museum, Amsterdam. * 1912 Stedelijke internationale tentoonstelling van kunstwerken van levende meesters, Stedelijk Museum, Amsterdam. ==In possession of the Museums of the Netherlands a.s.f.== * Historisches Museum, Amsterdam * Rijksmuseum, Amsterdam * Stedelijk Museum, Amsterdam * Museum Willet-Holthuysen, Amsterdam * Dordrechts Museum, Dordrecht * Dienst Verspreide Rijkskollkties, The Hague * Gemeentemuseum, The Hague * Museum Mesdag, The Hague * Stadhuis, The Hague * Goois Museum, Hilversum * Zeeuws Museum, Middelburg * St. Vrienden Museum Noordwijk, Noordwijk * Belasting museum, Rotterdam 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Jan Hillebrand Wijsmuller」の詳細全文を読む スポンサード リンク
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